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If people somehow get the message that, you know, what's really in my heart is this, and it might take me 20 years to, you know, get accomplished at that thing that I know is the right thing for me, but I'm going to put the time in - if they have the opportunity to do that - maybe the message is stick with what you love.
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I mean, whatever you take part in, it's pretty clear to me, Kenny, that you practice even folding your laundry just so, so that everything is precise.
#Kenny g breathless review movie
You really cannot watch this movie and not know how much this guy practices. There's something about music that is just so deeply tied to how we consider who we are and how we consider how other people are. You know, you're not doing it on purpose. I just think, occasionally, it's good to remember that when you attack a particular artist or a work of art, you're sort of attacking the people who love that. And I want people to really think about that - not because I'm trying to change it. Lane: I think ultimately this film is about how music is so tied deeply to our personal sense of identity and to our social allegiances. Penny, what do you hope audiences take away from your documentary? And everyone's got a right to say what they want to say. I play it differently than other people play it. I'm just playing my instrument the way I play it. And there are people that are very protective of traditional jazz and the style of traditional jazz. Gorelick: You know, there are people in the world that really feel protective over certain things. Why do you think your music is so polarizing to so many people? Not that there are a lot of people in America or in the world who don't say, hey, that's great it's that there are people who actively seem to dislike it. I basically created my music in my own little space just because - just because it was inside of me. So there was no way to find out, like, what music is being done here or there. I mean, back in the, you know, mid-'80s we didn't have any of the things we have today - computers, cell phones. Maybe they learned that I took a lot of risks in my own way at the early part of my career when, you know, really, there was no home for the style of music I was doing, and I was doing the music just from my own heart. Gorelick: They probably don't know, you know, the intimacy of my work ethic and how much I practice and how I think about playing the saxophone. What do people not know about Kenneth Gorelick that they might have learned from this film? Movie Reviews 'Hail Satan?': Documentary Examines Protest Group That Bedevils Religious Conservatives
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I've got other things to do, which is create and practice." "They have every right to be protective if that's what they want to do. "They must think that my music somehow is going to damage the reputation of traditional jazz, which - it shouldn't have any effect on anything," he said. Nevermind the dismay of the dogmatic protectors of traditional, Gorelick says, he's doing his own thing. "I don't mind that they say what they say," he says in an interview with NPR's David Folkenflik. And Kenny G is fully aware of how much his music is hated. In it, we get to hear from the man himself.
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Yet, to an equally fervent degree, the smooth jazz icon is also the subject of memes, mockery and more than his share of scathing reviews.Ī new HBO documentary, Listening to Kenny G, sets out to explore why the music of one of the best-selling instrumental artists of all time is both revered and reviled by so many. Kenny Gorelick, better known as Kenny G, is a musical hero for legions of fans around the world. Here, Kenny G performs at the Coachella Music & Arts Festival in 2019, in Indio, Calif. Love it or hate it you've almost certainly heard Kenny G's soprano saxophone - be it in an elevator or in your car.